Monday, March 21, 2011

Subject 7: The rebellion and radical result of reinvention..."Be yourself. F!ck 'em!"



“The quickest route to reinvention in a new land is through fashion. 
Clothes are a part of hip’s language,
signaling autonomy, desire, ethniticity and sexual come-on.
 Like the blackface mask, they allow wearers to explore who they want to be,
to straddle identities.” (Leland 46)

Lady Gaga Before Fame
i566.photobucket.com/.../Ladygaganormaal.jpg


Lady Gaga Gets Paid and Celebrated for Reinventing Herself
http://www.bigtop40.com/photos/top-20-lady-gaga-crazy-outfits/12/#content


“Like hip, ads celebrated the aura around the product, not the thing itself. 
In the logic of advertising,
 what matters is not the essence of the thing,
 but the perception of it.
 Advertising reinvented things in the same way that Americans
reinvented themselves….
The explosion in hype met a quenchless hunger for the new—the perfect appetite
 for a country that erased the past.” (Leland 55)

“Timmi Hillnigger” commercial uncut from the movie, “Bamboozled.”

As Alan Watts wrote when hipsters were finding zen in 1958,
the alternative was to detach,
“to find the significance of life in
subjective experience
rather than
                    objective achievement.” (Leland 53)


                                                      Photo By Ryan Scott Le Baron 2011
                                                      
                                                             "This impetus—repeated by
 bohemians, beboppers, action painters, hippies, punks, hip-hoppers, etc.—
has bee remarkably resilient over American history. 
Though we often think of these as discrete responses to the mainstream,
they are really an ongoing part of what makes
 America American. 
They are not footnotes; they belong to the story. 
By our rebellions are we sometimes best known.”  (Leland 53,54) http://www.harpercollins.com/books/Hip-History-Mr-John-Leland/?isbn=9780060528188

Mumford and Sons
Sigh No More 2011
“After the Storm” with lyrics 


“The questions of identity, individuality and citizenship that the major writers raised have remained the relevant puzzles of America.
To be a sentient American is to tackle these same questions;
to be a hip one is to tackle them with style.” (Leland 55)

Let’s talk about the surface, layers, and core of identity. 
Can identity be ambivalent or is it absolute? 
Is “you are who you are” the bottom line?
Go ahead and try to change yourself.
Go ahead.  I dare you!
Race, it’s on the surface yet if a white person seems to “acting” black or vice versa,
there is potential to be celebrated and/or perceived as a poser. 


An online article posted by an African American website titled,
“Acting White is the New Black,”
begins with a quote, two debatable question, and ends with countless reader’s comments…

“Nothing in all the world is more dangerous than sincere ignorance and conscientious stupidity.” – Martin Luther King, Jr.
           
                  What is acting white? Or, better yet, what is acting black?

Some of the reader’s respond with these honest comments:
·        Boondock Saint 2/21/11, 12:21:PM
I think this article is off the mark. Black people can and do speak standard English. The problem is that those of us who carry on like living stereotypes get the majority of the world’s attention. There are plenty of everyday black men and women who carry themselves with dignity and pride.
Unfortunately,
as far as the world’s concerned,
these folks tend to be covered with invisible ink.
·        derek.d 2/21/11, 04:48:PM
*shakes pointy spear at Boondock Saint and MochaDreams*
Go on now! Git! Git from ’round here speaking that sense and being all logical and what not!
And right after “Black Thanksgiving” (aka All-Star weekend) too. No respect!
You done gone and ruined a damn near perfect race-bait article with your crystal clear logic. Don’t nobody round here wanna be hearing you sounding all eloquent and sh*t.
We’s just about to start debatin’ whether Coco’s butt cheeks is real or implants for the 3,456,231st time!
Git now! Fo Bossip cut yo’s foots off! Go on, git!
*shake, shake*
·        WithAllHonesty 2/21/11, 12:29:PM
Speaking proper English isn’t acting white. But the voice and the tone you use to speak the language could be considered white.
I’ve seen many African Americans both men and women talk like “valley girls” “surfer boys” and “geeks.” I’ve seen Black men talk in a higher pitch to make the white people around them feel more comfortable. You can talk proper and still keep your OWN voice.
President Obama does it, Michelle Obama does it, Collin Powell does it, MLK did it…the list goes on and on.
·        Mikki 2/21/11, 12:38:PM
Here we go again trying to figure out who we are and who we are not. Once black people understand the power of their unity we will be unstoppable. After all who discovered the word hater is it a black word I’ve heard Asian,Arabic,whites use it. We are the trend setters and instead of foucsung on who is who those of us that have achieved higher education should be volunteering in the so called “hood” helping others that are less fortunate and didn’t have the luxury of knowing the difference and how far communication can take you. It’s not talking white or black it’s communicating where the other person understand what you are saying. So instead of focusing on if we talk white or black if we eat chicken or rice each one of us have a duty to go back and help/teach one another!
·        is your brain on? 2/21/11, 12:42:PM
Be yourself. Fu!k ‘em.

                   Identity is ultimately determined by the individual.
Perspective may be what drives an individual's actions
 but the good or bad consequences that come with embracing the creation of one’s own identity
is
a risk
either most are willing to take
or may never take into consideration.


That is Hip.


Wednesday, March 16, 2011

A lesson in Niggerology

shillpages.com/movies/bamboozled2000dvdr.jpg

bam·boo·zle

verb \bam-ˈbü-zəl\
bam·boo·zledbam·boo·zling\-ˈbüz-liŋ, -ˈbü-zə-\

Definition of BAMBOOZLE

transitive verb
1: to deceive by underhanded methods : dupe, hoodwink
2: to confuse, frustrate, or throw off thoroughly or completely <a quarterback bamboozled by an unexpected defense>
bam·boo·zle·ment \-ˈbü-zəl-mənt\ noun

Origin of BAMBOOZLE

origin unknown
First Known Use: 1703
http://www.merriam-webster.com/dictionary/bamboozled




“You know how all those grey people
 be trying to trick us with their slickery,
 and slick us with their trickery”
1/16th Blak

Written and Directed by Spike Lee in the year 2000, Bamboozled, is a film demonstrating Lee’s great ability as a modern day TRICKSTER.  He gave life to each of the characters perspectives when creating the plot line and personalities of the subjects in this movie.  There were humiliating, controversial, and enlightening moments throughout each scenario.  The only way to write and direct such an honest film, with stereotypes thrown into the mix, would be to endure a great understanding for the material he produced.  Spike Lee played the great trickster by allowing people of any race, particularly those adorning white and/or black skin color, to laugh, cry, and walk away speechless for a few moment in life
together.   

The main character, Pierre Delacroix, was a TRICKSTER in beginning of the film.  After being rejected for pitching wholesome television shows portraying African Americans, he came up with a plan to get out of his contract by getting fired for pitching an obscene idea of producing a modern day blackface minstrel show…..
(The Pitch Scene)

When Thomas Dunwitty goes bizerk for the idea, Delacroix’s TRICKSTER persona oozes out when he begins to form the pilot episode.  The scene when Pierre was sitting at the head of large table full of writers he is heard internally narrating: “The mission was accomplished. All of these people left the room thinking they would have real input. I was writing this pilot alone. Myself. Me. Moi.”  When the show becomes a major success his hunger for shallow success seems to overcome his core values that he had begun with.  He had become a slave while attempting to outsmart his captors, himself included. 

Thomas Dunwitty is a red-headed, white man who also plays a prominent TRICKSTER figure in the film.  Claiming to “know black” because he’s married to an African American woman, he has the ability to "shape shift" between the language of hip hop lingo and conservative English when he deems the situation appropriate.  His office is adorned with posters of only African American athletes.  He demonstrated Leland's mention of "love and theft" effortlessly when he agreed to put the blackface minstrel show on the air. Dunwitty may have read the memo put out by American society stating the word "nigga" had been deemed derogatory by in modern times but he throws around the word freely because he claims to be "down" with African American culture!


Some of my favorite quotes and scenes from the film, “Bamboozled.”

                                                                   Honeycutt Audition

Myrna Goldfarb: I happen to have a Master's degree in African-American studies.
Pierre Delacroix: So you fucked a nigger in college.


Pierre Delacroix: Yes continue, great niggerologist.


Pierre Delacroix: As I bled to death, as my very life oozed out of me, all I could think of was something the great Negro James Baldwin had written. "People pay for what they do and still more for what they have allowed themselves to become, and they pay for it, very simply, by the lives they lead."


Honeycutt: Niggas is a beautiful thang.




Mos Def 
"Umi Says"
(Song and Lyrics)
I don't wanna write this down, (world... premiere)
I wanna tell you how I feel right now (world... premiere)
I don't wanna take no time to write this down, (world... premiere)
I wanna tell you how I feel right now, hey (world... premiere)

Tomorrow may never come
For you or me
Life is not promised
Tomorrow may never show up
For you and me
This life is not promised
I ain't no perfect man
I'm trying to do, the best that I can
,
With what it is I have x2

Put my heart and soul into this song (yes yes)I hope you feel me
From where I am, to wherever you are
I mean that sincerely
Tomorrow may never come
For you or for me
Life is not promised
Tomorrow may never appear
You better hold this very moment very close to you (right now)
Very close to you (right now)
So close to you, So- close to you (your moment in history is right now!)
Don't be afraid, to let it shine

My Umi said
shine your light on the worldShine your light for the world to see
My Abi said shine your light on the world
Shine your light for the world to see
(
I want black people to be free, to be free, to be free
)
My Abi said shine your light on the world
(Want black people to be free, to be free, to be free)
Shine your light for the world to see
(Want black people to be free, to be free, to be free)
My Umi said shine your light on the world
(Want black people to be free, to be free, to be free)
Shine your light for the world to see
(Want black people to be free, to be free...)

Sometimes I get discouraged
I look around and, things are so weak
People are so weak
Sometimes, sometimes I feel like crying
Sometimes my heart gets heavy
Sometimes I just want to leave and fly away (fly fly fly, like a dove)
Sometimes I don't know what to do with myself (ow!)
Passion takes over me
I feel like a man,

Going insane,
Losing my brain
Trying to maintain,

Doing my thang
Hey hey hey hey hey
Put my heart and soul into this y'all
I hope you feel me
Where I am, to wherever you are (ha ha ha ha)
Sometimes I don't want to be bothered
Sometimes I just want a quiet life, with
Me and my babies, me and my lady
Sometimes I don't want to get into no war
(Black people to be free, to be free...)
Sometimes I don't wanna be a soldier
Sometimes I just wanna be a man, but
Umi said shine your light on the world
Shine your light for the world to see
My Abi said shine your light on the world
Shine your light for the world to see
(I want black people to be free, to be free, to be free)
My dreamers
said shine your light on the world
(Want black people to be free, to be free, to be free)
Shine your light for the world to see
(Want black people)
My elders
said shine your light on the world (Hey hey)
Shine your light for the world to see

I want black people to be free, to be free, to be free
All my people to be free, to be free, to be free
Oh black people to be free, to be free, to be free
Oh black people to be free, to be free, to be free

That's all that matters to me [x7]

Black people unite and let's all get down
Gotta have what,
Gotta have that love
Peace and understanding
One God, one light
One man, one voice, one mic
Black people unite come on and do it right

Black people unite come on and do it right
Black people unite come on and get down
Gotta have what,
Love, peace and understanding
One God, one voice, one life
One man, gon' shine my light
Black people unite, now hop up and do it right
Black people unite, now come on and do it right
Yeah baby that's what I like
Yeah baby that's what I like
Yeah baby that's what I like...
(Black people, my people....)



That is Hip

Tuesday, March 15, 2011

Let's Get Down To Business: Literary sources for English 201 Essay



Annotated Bibliography

Leland, John. Hip: the History. New York: HarperCollins, 2004. Print.

I’ll use this text as the main guide for comparing and contrasting between the multiple literary texts that I will mention in my essay.  I’ll use specific examples Leland had researched and determined to be hip as well as his own opinions in terms of defining what "hip" is. 

Quinn, Daniel. Ishmael. New York: Bantam/Turner Book, 1995. Print.

This novel exemplifies many ideas Leland mentions in his book regarding the subject of hip.  Although there are great examples Daniel Quinn illustrates throughout his novel, I will only focus on some of the major themes.  One theme is born when Ishmael, the protagonist, challenges the narrator with the idea that the ultimate challenge humans face is accepting the responsibility of what species to displace, and which to kill in protection of the first and that the Tree of Knowledge of Good and Evil wasn’t only to test humans self-control.  Quinn also comes up with new terms and definitions when describing certain types of people: The Takers and Leavers.  There are additional terms I will mention and ultimately compare this section of the essay with the beginnings of hip when the slaves used irony in their communication, signifying, and Leland’s mention of “love and theft.”

Pirates of the Caribbean: The Curse of the Black Pearl. Dir. Gore Verbinski. Perf. Johnny Depp. Walt Disney Pictures, Jerry Bruckheimer Films, 2003. Film.

I’ve already begun to formulate the similarities between the main character, Captain Jack Sparrow, and Leland’s definition of a trickster by using specific quotes from the first Pirates of the Caribbean film.  I will concentrate on this main character and his interactions with the communities and situations he becomes involved with. 


"Desiderata." Custom Crests, Logos, and Coats of Arms Design Services. Web. 15 Mar. 2011. <http://www.fleurdelis.com/desiderata.htm>.

I will attempt to make a smooth transistion into the next example of my essay when I begin to analyze the tattoo located on the back of Captain Jack Sparrow.  “Desiderata,” written by Max Ehrmann in the 1920’s, is a poem telling the reader how to attain happiness.  I will use this literary text for multiple uses in my essay. It will be a way to describe one of the characteristics of a Trickster.  Maybe Captain Jack Sparrow uses this tattoo as a piece of writing to bring enlightenment to the masses.  It’s also similar to the ethos Walt Whitman wrote in 1855 as the preface to Leaves of Grass.  I will pull apart sections and compare Walt Whitman’s ideas he was trying to convey as well as Leland’s connection between nonconformity and hip. 

Redheaded Woman. Dir. Jack Conway. Perf. Jean Harlow, Chester Morris and Lewis Stone. Metro-Goldwyn-Mayer, 1932.

Depending on the length and how in depth I can be with the previously mentioned literary texts, I may also write about certain scenes and dialogue in the 1932 film, Redheaded Woman.  This movie is included in the Pre-Code era that inspired the freedom of the genre and is a great example of Leland’s ideas of “hip detachment,” and the post-World War I genre of "having nothing to lose." 

Wednesday, March 9, 2011

Trix are for dead pirates, you silly wabbit

THE TRIXTER



“In the criminal underworld, which is one trickster realm,
there are overlords and underlings, kingpins and masterminds,
but only the confidence man
 is an artist.

The con artist is a trickster
who blurs the categories
of villain and victim,
crime and commerce. 

                                                He plies his craft not by taking but by giving,
by inventing a story for his marks. 

A well-constructed con job
entertains, flatters and teases;
it invites the mark to fill in gaps in the story.  It only works
 if the sucker’s avarice,
                   rather than the con artist’s, sets the con in motion.

The con artist’s greed
 is wholly controlled and channeled;
               the mark’s is in conflict with itself,
         ultimately doing him in.

                      It is the mark’s identifying mark.

                                                               Where most criminals try to leave no evidence, the con artist builds a monument to his creativity and wit. 

                         The better the story he leaves, the better the con.” (Leland 169-170)
                                                                 John Leland
              http://www.harpercollins.com/books/Hip-History-Mr-John-Leland/?isbn=9780060528188

                  INTRODUCING:
When you marooned me on that god forsaken
 spit of land, you forgot  one very important thing, mate:
I’m Captain Jack Sparrow.


The most epic sword fight scenes ever made Barbossa vs Jack Sparrow
Me i'm disshonest.. and a disshonest man you can always trust to be disshonest .. honestly..
it's the honest one's you want to watch out for.. cause you can never predict when they gonna do something incredibly stupid .” Captain Jack Sparrow


Captain Jack Sparrow's Desiderata tattoo.
Latin for "desired things'.
Seen during Sparrow's entrapment in Davy Jones' Locker .
The poem Desiderata is about attaining happiness in life.
http://www.squidoo.com/Johnny-depp-artistic-tattoos

Jack Sparrow's Desiderata poem tattoo 

-- written by Max Ehrmann in the 1920s --

Go placidly amid the noise and the haste,
and remember what peace there may be in silence.

As far as possible, without surrender,
be on good terms with all persons.
Speak your truth quietly and clearly;
and listen to others,
even to the dull and the ignorant;
they too have their story.
Avoid loud and aggressive persons;
they are vexatious to the spirit.

If you compare yourself with others,
you may become vain or bitter,
for always there will be greater and lesser persons than yourself.
Enjoy your achievements as well as your plans.
Keep interested in your own career, however humble;
it is a real possession in the changing fortunes of time.

Exercise caution in your business affairs,
for the world is full of trickery.
But let this not blind you to what virtue there is;
many persons strive for high ideals,
and everywhere life is full of heroism.
Be yourself. Especially do not feign affection.
Neither be cynical about love,
for in the face of all aridity and disenchantment,
it is as perennial as the grass.

Take kindly the counsel of the years,
gracefully surrendering the things of youth.
Nurture strength of spirit to shield you in sudden misfortune.
But do not distress yourself with dark imaginings.
Many fears are born of fatigue and loneliness.

Beyond a wholesome discipline,
be gentle with yourself.
You are a child of the universe
no less than the trees and the stars;
you have a right to be here.
And whether or not it is clear to you,
no doubt the universe is unfolding as it should.

Therefore be at peace with God,
whatever you conceive Him to be.
And whatever your labors and aspirations,
in the noisy confusion of life,
keep peace in your soul.

With all its sham, drudgery, and broken dreams,
it is still a beautiful world.

 When you Have your own theme song like Jack SparRow

That is Hip.

Monday, March 7, 2011

Subject 6: "Dyings for Fools" Carlos Estevez

A message from the eternal damnation of
Jack Kerouac to Charlie Sheen
On this day of
Monday, March 07, 2011
“I discovered a new Beat generation a long time ago, I hitchhiked and starved, for art, and that makes me the Fool of the Beatniks with a crown of shit.
Thanks, America.”





"Bi-winning" ... Charlie Sheen. Illustration: Michael Mucci
Here are some highlights from the article
"Straight Talk from a good-time Charlie"
by Paul Sheehan

"Is it time to look past the cocaine binges, prostitutes, porn stars, death threats and narcissism to see that most of what Charlie Sheen has been saying during the past week is true,
after allowing for poetic licence?"


"In less than a week,
three freshly minted Sheen terms -
''bi-winning'', ''tiger blood'' and ''Adonis DNA'' -
have slipped into
ironic commonspeak."

Question: what about the last time you took drugs?
''I probably took more than anybody could survive . . . I was banging seven-gram rocks and finishing them because that's how I roll. I have one speed, I have one gear: go!''
Question: how did you survive that?
''Because I'm me. I'm different. I just have a different constitution.
''I have a different brain, I have a different heart. I got tiger blood, man.''
Question: you don't worry that you're going to die from drugs?
''Dying's for fools.''
Question: aren't you disgusted with yourself?
''No, I'm proud of myself. It was radical . . . I exposed people to magic. I exposed them to something they're never otherwise going to see in their boring, normal lives.''
 
"In the same way that a home video of Paris Hilton having sex in thigh-high boots made her a superstar
instead of ending her career,
Charlie Sheen's brand just got much bigger via the medium of brutal honesty."
Charlie Sheen is Hip.

Check out the full article at